I gave up on Philip French’s film reviews in The Observer a long time ago. There’s a tired formula to them - anecdote, plot summary, handful of observations, then another anecdote - refined over decades of seeing the same old shit and having to file 1000 words on it, week after week.
However, after watching Toy Story 3 and Inception in the same weekend, French decided to finish his reviews with something a little different.
Seeing Toy Story 3 and Christopher Nolan’s Inception within 48 hours of each other was to be made aware of two things. First, that there are good reasons for being alive in these dismal days of the second decade of the 21st century. Second, there are areas of popular culture where whatever is the diametric opposite of dumbing down is at work, and that those who respect the intelligence and tastes of the general public are being rewarded for their confidence.
The significance of this is not inconsequential. Here is a 77 year old man who’s seen literally thousands of films. If he’s been moved to say that this is potentially another golden age of cinema and popular culture, then us young’uns have reasons to be cheerful.
The director of The Dark Knight is complaining that 3-D films are too… dark. Quite literally:
Nodding to the movie screen behind him, Nolan told the audience of 500 that he, literally, had a dim view of the 3-D releases he’d watched: “The truth of it is when you watch a film in here, you’re looking at 16 foot-lamberts, When you watch through any of the conventional 3-D processes you’re giving up three foot-lamberts. A massive difference. You’re not that aware of it because once you’re ‘in that world,’ your eye compensates, but having struggled for years to get theaters get up to the proper brightness, we’re not sticking polarized filters in everything.”
Duke Ellington - Anatomy of a Murder (Anatomy of a Murder: Original Motion Picture Soundtrack)
Rosalina. Woman.
You constantly revile me with your singular lack of vision. Be aware, there is an...
Don Kong
Pick up the tee at Jinx!